Something unusual to consider

Something unusual to consider

I’m not much of a gamer. I play a few stupid little puzzle games and card games on my phone. Every once in a while, I’ll play a mystery game where you have to solve puzzles to solve a simple mystery. And… that’s about it. My kids,...
The power of sentence length

The power of sentence length

  Here’s a question you might not see often: How long are your sentences? Do you write really long, descriptive sentences that give your reader a lot of information so they know just where they are, what your character is doing and how they’re feeling? Or are...
The importance of knowing the basics

The importance of knowing the basics

Grammar is absolutely my least favorite thing about being a writer… and yet, I’m also an editor. Go figure that one out! Actually, if you were to ask a bunch of editors whether they enjoyed grammar I’d guess that at least half would say no. Grammar just isn’t...
Missing Chekov’s Gun

Missing Chekov’s Gun

Last week in the discussion on the Writers’ Block Party Podcast with Kathy Seidel on the motifs and themes used in my book A Token of Love and Pru Warren’s book Ellen and the Would-Be Gigolo, there was one important concept that we briefly discussed—Chekov’s Gun. Pru...
Deliberate Motifs

Deliberate Motifs

On the Writers’ Block Party Podcast, we recently had Kathleen Gilles Seidel back to speak with us about repeated motifs (note: this won’t air for a few weeks, sorry!). I wrote about them on this blog a couple of months ago, but Kathy did something unique: she...
Where do you learn to write?

Where do you learn to write?

Way back in the dark ages, when I started writing, I learned from books. I bought books on point of view, setting, story structure—everything I could get my hands on. I have two large shelves full of books on writing craft. I also went to conferences—you remember we...